In the beginning woman made god, and god was a tyrant. Woman saw that this was… compelling. And so woman made the compelling argument for hypnotic tyranny, mirrored always on the unforgiving, unrepentant and indifferent surface of the sea, the sea.  

The act of creation, the object of creativity. Spontaneous recording of the past, present and future all colliding mercilessly in the cauldron of literature. Woman stirs, adds her spices and tinctures - such strange ingredients - and stirs and stirs again. Bubbling up from this black pot looms our stranger god: a director of the stage with a Shakespearean fixation. He is his own Prospero, conjuring monsters and ghosts and impish spirits to be bent over by his will, thoroughly used, and then left to the carrion of fate. He commands an entire playworld from the island of his peninsula, demanding ritual sacrifice from each worshipper who makes pilgrimage to this holy place.

Driven by the most dogged, envious, paranoid obsession I’ve ever witnessed in a single figure, his passions are illumined by the frequent moonlit visions, only to be revealed as pure lunacy. Oh! god himself is overcome and eventually undone by hopeless figurings of his own heaven. A dream of a heaven, which can never be drawn to earth.

To return to the instruments of sacrifice and sanctification: Charles the father, harelipped Titus the son and cousin James the Holy Ghost. Of course, as the story goes, the son must be given up for someone’s sins. For an altar, perhaps Minn’s Cauldron; the church, Shruff End. Could the sea, throughout all this, be the relentless torment of Hades? Perhaps so for this ancient vengeful god of classicism. 

I delight in the dementedly dark threads with which this story has been woven. Far from moralising and chastising, it bellows its twisted hymns and seduces us into the ordinary depravity of man. Yes, it demands sacrifice and supplication, but it asks of us no repentance, offers us no penance. 

It is truly sacred, profoundly profane. 

An Empirical Examination of the Mystic Cycle of Creativity

... The magic, the feeling, the sense, the life - whatever it damned well is - I feel it filling up first in my head, for that is where all things must begin in this upturned and holy vessel. 

It fills me from the top and I am full of thoughts and so many words, so much ardent philosophising and theorising. I become a river of earnest young theories, a constantly babbling noise of poetry and free, unsung verse - it is, you see, monsoon season. The rains of life, of sense, of whatever, rain down: torrents of it rushing into my cold head and filling me toe to top. All this must surely spill out onto page and paper, into my husband’s halfturned ears. And so it does. And it is a glorious relief when those banks are finally breached, word flowing, unconstrained, as tipped ink. 

The feeling, the magic - whatever it bloody well is - dares not taper off and vanish once its limpid matter spills over those banks. It is, instead, absorbed down through my neck into the hollow grounds of my chest. The cavern is now breached, but the most extreme of my forces, pressures and temperatures are there to meet it; the waters immediately evaporate, turning into steam upon first contact. But, O! Where can this steam, this feeling, this life, whatever, escape to! There is only one way out and that is through my irate mouth. All of a sudden, the riverine abstraction has made of me a hot spring. Every emotion hits at the walls of my breast and I find that I have anger aplenty; my seduction, too, erupts; rampant joy flings upwards, scalding the air like a manic screech. All of these, my elemental furies, throwing their steaming fists against the world, against you, against me. 

This amount of energy can never last long. It is gone almost at the exact point of release. The rage is soon spent and the pressure that once rose so high now trickles coyly back down, forking into two directions: along both arms and towards my hands. 

My hands (these hands). The life, the sense - whatever the f ck it is - now buzzes at my fingertips and I am forced to wield whatever tool is compelled into its electromagnetic grasp. Graphite, chalk and charcoal are the ephemeral instruments that are so often found vibrating across one sheet or another, connecting the lines that ensnare some poor flower or shore or bird that is waving in the field of my vision. Yet more pages - page upon page, and sometimes canvas, too - are filled in a heightening frenzy as the sense, the feeling, the life, whatever, is channelled through these dread hands. And then, suddenly, they are exhausted. They cannot hold the force of it for too long - they are overcome with weakness, becoming limp at my sides. So off it slinks, down into my womb. 

We will not speak, here, of sacred things that happen down in the happy, tortured womb. 

Days pass, I emerge from a sanguine daze as the magic, the sense, the life - oh, whatever! - passes my hipbones to meet in my thighs. Now, it has taken on a viscous quality that trickles further still. Trickles slowly into my bones, sinew, flesh and all, reaching my bent knees, making my calves sticky and curiously sweetsmelling. At first, my lower limbs are so thick with the substance, the life, the magic, whatever, that I must move heavily to a rhythm - God, any thumping rhythm! - that will unstick me before it is too late and I'm consumed, hip down. As it reaches my ankles, as it coats each tiny bone within my feet, I find that I have been in fever, swaying and stomping and sweating all along. I have found a way to move through this and it has begun to feel more like resurrection than mere ritual. 

The magic, the feeling, the sense, the life - whatever it really is - has moved through my entire body, filled my whole upended vessel, brim to foot. 'What is this,' I have asked myself each time I feel the cycle beginning afresh - starting in my head, working its way through chest, throat, hands, womb, legs and all. 'What is this and why is this and how is this.' 

Note the absence of question mark, the plenitude of declarative. Something primordial in me knows that it need never ask what why and how. All I know is who I am, who it makes me, what it unmakes in me. I know it as the way seasons show up around the year; it is the earth that roves slowly around the sun, the way bulbs wilt and spring eternal, seas run shuttles of rock against sand, flocks murmur across the same incomprehensible migratory paths over thousands of years. It is the truth and it is perfected in its very nature; it is always creating, turning, and always turning out something new from this ancient string of prayers we may stoop to call a soul. 

It is, it is, it is...

Indefinite leave

Published ghost writer

abandons dreams to become

unmade, unreal. oh!

Starlings On Sunday

 The darkest cloud swells and subsides again and again. It has become a welcome speckled sight against these usually still skies. The flock is as punctual as only nature in her timelessness knows how to be, arriving in our patch of grey at around 5.20 every evening. I spend the next few minutes watching a grand and ancient waltz that I imagine must continue to swirl forever over other roofs in other towns long after my curtains have closed and the streetlights flicker on. 

 If my son is with me at this time, I point the flock out to him and he stands by the window in as much awe as me, asking the same two questions over and over again: "Mummy, what are they doing? Mummy, where are they going?" For those few minutes and beyond I do not know whether or how to answer him, because the lightness of some mysteries are so sacred that I'd rather not weigh them down with a simple search and a simpler answer. Some days I decide to tell him they are dancing, I tell him they are going wherever the wind takes them, and he tells me that sounds fun. I silently agree.

Today we watch the birds swell, subside and swirl. As I watch, I'm listening to an old playlist of sentimental songs I never intend on letting go, singing along heartily and missing all the top notes, swaying with my baby girl, watching my not-so-baby boy run from my side to reimmerse himself into his play, smelling the food my husband is preparing for our dinner, feeling my way ever so slowly through this home, this family, this expanded heart with all of its stretch marks. This rugged life of mine. And this? It is the writing and recording of moments of it all, it is the cherry atop my healing Sunday filled with starlings on grey skies. It is a necessary ritual for my body and blood to feel good in themselves again. Just for today, I feel good inside myself again. I hope that this is more than enough to see me through.

Testing testing

 Don’t be deceived by the deafening digital silence. I’ve been writing copiously, usually on the most sleepless of nights. Pixelated reams of nonsense or otherwise obfuscatory metaphors have come bursting out of me like the shit out of my precious daughter’s nappies. And it’s all been just that: the yellowest of shit. I know you’ll understand how I’ve been too scared to publish most of it, for fear of being completely seen through. Or, worse yet, seen and believed that is all there is to it. To me. Shallow shallow language for a shallow little girl, not even deep enough to tickle a babe’s chubby ankles. This is some of what I’ve felt and, having put the sum of it out here, I feel a bit too exposed and cold (but you know what we say about the cold).

 I’ve been thinking maybe anger becomes overrated past a certain point. Sometimes it hits like foul flatulence released noisily into a crowded gathering, making everyone a little annoyed and uncomfortable until it disperses and only awkwardness lingers. I feel like I’m getting everything so wrong this time around. For once I don’t know what else to say - life has become something besides my own, which makes it all the more difficult for this long-time naval-gazer to examine it properly and report back on. If I had a mentor to turn to right now I’m sure she’d ask one question over and over and over again: what exactly are you trying to say? 

Then say it.

The Grace of God has come down from on high to sit right next to me, just like I’ve been pleading for so long. I, in turn, sit here behaving as though she is a stranger I have never seen before. What am I to say to her this time? What am I not to say? Something better left off these bare white pages either way. I don’t know what I’m becoming and I’d rather not explain whatever it is as I am unfurling & discovering.